Comic ink editorial illustration for translanguaging explained.

Translanguaging is the flexible use of a person’s language resources to think, learn, and communicate. A multilingual person might read in one language, discuss an idea in another, and combine familiar terms with new vocabulary while working toward a clear message. The point is meaning-making across a person’s repertoire, not a rule that everyone must mix languages. People vary in which languages they use and when, and practice and exposure shape those patterns [1].

A repertoire is more than a list of languages

It can help to picture a person’s language knowledge as a set of resources rather than sealed boxes. Someone may speak comfortably in one language but read more easily in another; they may use a regional variety with family and a formal register at work. A Deaf person’s repertoire may include a sign language and written or spoken languages. Sign languages are full natural languages, and distinct sign languages are not interchangeable gestures [2].

Translanguaging describes how resources can work together in a particular activity. It does not mean that languages have no structure or that every speaker uses every resource equally. Nor is it the same as being asked to translate each sentence exactly. A speaker may understand an idea through a sketch, a remembered phrase, and a new term without producing a direct equivalent for every word.

A worked example: explain a neighborhood change

Imagine a student preparing to explain why a familiar street floods after heavy rain. In a fictional classroom, she first sketches the sloped road and the drain. She talks through the sequence with a classmate in the language they share, writes “water can’t go down” beside the blocked drain, and then consults the class word bank for “runoff” and “drainage.” Her first notes help her reason; her final paragraph uses the vocabulary expected for the assignment.

The teacher can support both stages. During planning, the student may discuss the idea in whichever language resources make the thinking clear. During revision, the teacher asks her to identify the cause, the change in water flow, and the result. The final message might be: “When leaves block the drain, rainwater runs across the road and collects at the low point.” The work has moved across resources while staying accountable to the learning goal.

Separate exploration from the final audience

An open planning stage can help learners test ideas before they decide how to present them. A focused final stage asks them to shape the message for a reader or listener: Which terms need defining? What order makes the explanation easy to follow? Is the task assessing content, a particular language feature, or both? Naming the purpose prevents flexible language use from becoming vague permission without useful instruction.

This distinction also helps when a student is learning a new language. ASHA recommends valuing practice over perfection and notes that children may blend words or grammar from different languages as part of learning [1]. A teacher can acknowledge that thinking process and still teach the conventions required for a formal report, interview, or oral presentation.

Try a short rehearsal routine

Choose a question with a concrete answer, such as “Why might a plant near a window grow toward the light?” Give learners two minutes to make a quick diagram, list words, or discuss the question using their available languages. Next, have them select the key idea and prepare a two-sentence explanation for a specified audience, such as a younger student. Invite them to mark one word or connection they had to learn to express more precisely.

The routine gives the teacher evidence at two points: what reasoning emerged during exploration and how the learner shaped it for the audience. Avoid requiring students to disclose or perform a language they would rather keep private. The exercise is about making room for useful resources, not making identity a classroom display.

Keep the concept precise

Translanguaging is often discussed in education, but the term can be used differently across research and teaching contexts. In everyday classroom planning, the practical idea is to let learners draw on their language resources to make sense of a task, while teaching the specific forms needed for the next step. That is different from assuming that a learner’s first language is a problem to be removed, or that all language mixing has the same purpose.

Try the rehearsal routine in one lesson and compare students’ first explanations with their audience-ready versions. Ask what changed: the reasoning, the vocabulary, the organization, or the level of detail. That comparison helps you teach the bridge between understanding and expression.

References & further reading

  1. ASHA: learning more than one language ↗
  2. United Nations: sign languages and Deaf rights ↗

Our editorial approach.